Showing posts with label film. Show all posts
Showing posts with label film. Show all posts

Thursday, July 29, 2010

Lolita

Last night we watched the film 'Lolita'.

Lolita is a 1997 drama film directed by Adrian Lyne and stars Jeremy Irons as Humbert Humbert and Dominique Swain as Dolores "Lolita" Haze, with supporting roles by Melanie Griffith as Charlotte Haze, and Frank Langella as Clare Quilty. It is the second screen adaptation of the novel of the same name by Vladimir Nabokov. The film concerns the story of an English professor's obsession with his landlady's flirtatious daughter and his attempts to possess her. Lolita was originally filmed by Stanley Kubrick in 1962, when much of the novel’s content was toned down significantly due to censorship restrictions. In a less conservative era, British director Lyne began filming his own adaptation.

With the central theme of Humbert's hebephilia, the film had considerable difficulty finding an American distributor[ and premiered in Europe before being released in America, where it was met with much controversy. The film was picked up in the United States by Showtime, a cablenetwork, before finally being released theatrically by The Samuel Goldwyn Company. The performances by Irons and Swain impressed audiences, but, although praised by some critics for its faithfulness to Nabokov's narrative, the film received a mixed critical reception in theUnited States. Following its theatrical release, the film was distributed on VHS and DVD byPathé, both of which are now out-of-print.

Plot summary

In 1947, Humbert Humbert, a European professor of French literature, travels to New Hampshirein the United States to take a teaching position. He rents a room in the home of widow Charlotte Haze, largely because he sees her adolescent daughter, Dolores (variously called "Dolly" or "Lo"; age 12 in Nabokov's novel, but shown as slightly older in the film), while touring the house. Obsessed from boyhood with girls of this age (whom he calls "nymphets"), partly because of an early sexual experience and tragic loss, Humbert marries Charlotte for the sake of access to her daughter.

Charlotte's untimely death, shortly after she discovers his preference for her daughter, frees Humbert to pursue a sexual and emotional relationship with Dolores, whom he nicknames "Lolita". The two travel the country for a few weeks or months, staying in various motels but eventually settling in a college town where Humbert takes a teaching job. However, Lolita's increasing boredom with Humbert, as well as her growing desire for independence, fuels a constant tension between them. Humbert's desperate affections for Lo are also rivaled by another man, the playwright Clare Quilty, who has been pursuing Lo from the beginning. Quilty's name and identity are at first unknown to Humbert, and when Lolita runs away to him, Humbert's search for her is unsuccessful.

Three years later, after a receiving a letter asking for financial help, Humbert visits the now 17-year-old Lolita, married to another man and pregnant. Humbert, who still loves her, asks her to run away with him, but she refuses. He relents and gives her a substantial amount of money and information about her inheritance from her mother. He also discovers the name of his nemesis, Quilty, whom he hunts down and murders.

After being arrested, Humbert dies in prison in November 1950. Lolita dies in childbirth a month later, on Christmas Day.

Vladimir Vladimirovich Nabokov (Russian: Влади́мир Влади́мирович Набо́ков,pronounced [vlɐˈdʲimʲɪr nɐˈbokəf]; 22 April [O.S. 10 April] 1899c – 2 July 1977) was a multilingualRussian-American novelist and short story writer. Nabokov wrote his first nine novels in Russian, then rose to international prominence as a master English prose stylist. He also made contributions to entomology and had an interest in chess problems.

Nabokov's Lolita (1955) is frequently cited as among his most important novels and is his most widely known, exhibiting the love of intricate word play and synesthetic detail that characterised all his works. The novel was ranked at #4 in the list of the Modern Library 100 Best Novels.Pale Fire (1962) was ranked at #53 on the same list. His memoir entitled Speak, Memory was listed #8 on the Modern Library nonfiction list.

Nabokov's afterword

In 1956, Nabokov penned an afterword to Lolita ("On a Book Entitled Lolita") that was included in every subsequent edition of the book.

One of the first things Nabokov makes a point of saying is, despite John Ray Jr.'s claim in the Foreword, there is no moral to the story.

In the afterword, Nabokov wrote that "the initial shiver of inspiration" for Lolita "was somehow prompted by a newspaper story about an ape in the Jardin des Plantes who, after months of coaxing by a scientist, produced the first drawing ever charcoaled by an animal: this sketch showed the bars of the poor creature's cage". Neither the article nor the drawing has been recovered.

In response to an American critic who characterized Lolita as the record of Nabokov's "love affair with the romantic novel", Nabokov wrote that "the substitution of 'English language' for 'romantic novel' would make this elegant formula more correct".

Nabokov concluded the afterword with a reference to his beloved first language, which he abandoned as a writer once he moved to the United States in 1940: "My private tragedy, which cannot, and indeed should not, be anybody's concern, is that I had to abandon my natural idiom, my untrammeled, rich, and infinitely docile Russian language for a second-rate brand of English".

Wednesday, March 03, 2010

Five Days

This BBC drama is particularly absorbing because of local filming.

FIVE DAYS SERIES II

Suranne JonesFIVE DAYS (BBC) returns for a second series in 2010, and filmed in Leeds, Wakefield and Dewsbury in summer 2009, with Screen Yorkshire providing crew and locations support.Suranne Jones and David Morrissey head up the ensemble cast, both returning to Yorkshire after filming Unforgiven and Red Riding respectively here in 2008.


Starring in this gripping new drama serial written by Gwyneth Hughes (Miss Austen Regrets, Cherished), Suranne Jones returned to the region after starring in ITV's hit drama UNFORGIVEN (pictured above) in 2009, and David Morrissey is returning after the critically acclaimed RED RIDING trilogy hit our screens on Channel 4 back in March 2009.

The second series of FIVE DAYS filmed at the following Yorkshire locations:
- Kirkgate Station, Wakefield
- Ridings Centre, Wakefield
- Scarborough Beach, South bay and promenade
- Seacroft and Cookridge hospitals, Leeds
- Leeds University
- Leeds Metropolitan University
- Burley Streets
- Dewsbury town hall
- Dewsbury market
- Yorkshire Building Society, Kirklees
- Batley
- Pontefract town square

Andy Morgan, Location Manager, says of his experience shooting in the region: ''The joy of filming in Yorkshire is the sheer wealth of locations available to you. With Leeds, Bradford & Wakefield so close in proximity you have triple the amount of options for urban locations, yet on your doorstep you have some of (if not THE) most beautiful countryside in England. 'Five Days 2' was set in an anonymous West Yorkshire town which meant we could explore all these areas finding incredible locations to piece together our perfect town. The local authorities, ie. Police, Council & Highways, are very helpful towards filming as they feel it's good PR for the area and always makes for positive local interest stories in the press.

Screen Yorkshire played a huge part in the production of FD2 as we engaged their help on many occasion. They appear to know everyone and even when we suggested the most random and bizarre location, they somehow managed to find a contact and get us in. Wherever we filmed it felt like the red carpet had been laid out for us upon our arrival. Their approach to creating a film-friendly region is second to none and their constant support throughout FD2 was very helpful, particularly to the Locations Team.''

SYNOPSIS
A tiny newborn baby is abandoned in the toilets of a Yorkshire hospital. At the same time, the Trans-Pennine commuter train is halted by a suicidal jumper. Are they connected?

From this moment on, the lives of those onboard the train and in the hospital will be changed irrevocably, not least for DC Laurie Franklin (Suranne Jones), off-duty that day but travelling on the train with her mum (Anne Reid), who is recently diagnosed with Alzheimer's.

Laurie likes tying up loose ends. And if she can prove a connection between the body and the baby she will be happy. But things never turn out quite the way we expect. Who is the baby's mother? And who is the jumper? And was it just a simple case of suicide - or was it really a murder?

FIVE DAYS is an atmospheric ensemble drama; a mystery which unfolds over the five most significant days of the police investigation into these two mysteries. It is set in the heart of urban Yorkshire - a melting pot of tensions and relationships within a multicultural landscape. The first series of Five Days received BAFTA, RTS and Golden Globe nominations.

The ensemble cast includes: Suranne Jones (Unforgiven, Coronation Street), David Morrissey (Red Riding, Is Anybody There?), Anne Reid (In Love With Barbara, Hot Fuzz), Bernard Hill (Valkyrie, Titanic), Hugo Speer (Bleak House, The Full Monty), Derek Riddell (Ugly Betty, No Angels), Nina Sosanya (Casanova, Teachers), Steve Evets(Looking For Eric), Ashley Walters (Small Island, Bullet Boy), Shaun Dooley (Married, Single, Other; The Mark of Cain), Matthew McNulty (Cranford, The Shooting Of Thomas Hurndall), Navin Chowdhry (Sinchronicity, Teachers),Shivani Ghai (House Of Saddam), Sacha Dharwan (The History Boys, State Of Play), Cornell John (Kidulthood, Adulthood), Aaron Neil (White Girl), Philip Arditti (House Of Saddam), Kerry Condon (Rome), Chris Fountain(Hollyoaks).

A BBC Drama Production for BBC One, FIVE DAYS is due for transmission in Spring 2010.

Saturday, January 16, 2010

An Englishman in New York

(I watched this today)

An Englishman in New York is a 2009 biographical drama film that chronicles the English gay writer Quentin Crisp's later years spent in New York City. It is a follow-up to the 1975 TV movieThe Naked Civil Servant with John Hurt reprising his role as Crisp.

"Englishman in New York" is a song by Sting, from his 1987 album ...Nothing Like the Sun. The "Englishman" in question is the famous eccentric Quentin Crisp. Sting wrote the song not long after Crisp moved from London to an apartment in New York's Bowery.

John Hurt re-visits his iconic role as Quentin Crisp in a single film for ITV1

JOHN HURT will reprise his role as English eccentric Quentin Crisp in AN ENGLISHMAN IN NEW YORK, a funny and moving film from Leopardrama which picks up where the 1970's classic The Naked Civil Servant left off.

Sex in the City star Cynthia Nixon also joins the cast on location in the Big Apple. No stranger to the streets of Manhattan, Nixon will take the role of Penny Arcade, the performance artist and playwright who formed a close bond with Crisp in his latter years. The two created the long-running performance/interview piece, The Last Will and Testament of Quentin Crisp.

Further casting announcements include up and coming American actor Jonathan Tucker (Veronica Must Die, The Black Donnellys,) who stars as Patrick Angus, the young artist who befriended the English eccentric, Denis O’Hare (Brother’s and Sisters, Charlie Wilson’s War, Michael Clayton) as magazine editor, Phillip Steele and Pushing Daisies’ Swoozie Kurtz, as Crisp’s American agent, Connie Clausen.

Out-spoken dandy Quentin Crisp sets off on the journey of a lifetime to the Big Apple. New Yorkers immediately embrace Quentin and his witty waspish ways, and before long he is being wined and dined by celebrities in every corner of Manhattan.

A shining light of the chattering classes, Quentin befriends Patrick, a young artist who opens his eyes to the possibility that intimate human relationships - something Quentin has spent his life running away from - can work. But, as is so often the case with the maverick gay writer, Quentin cannot help but shock and, at a public event, he quips that the burgeoning AIDS crisis is "a fad". Quentin is suddenly dropped from high society.

Multi-award winning actor John Hurt counts numerous classic film and TV shows among his credits, including The Elephant Man, Midnight Express, Alien, Captain Corelli’s Mandolin, The Alan Clark Diaries, Scandal and I, Claudius. Among his many award wins and nominations, John won a Best Actor BAFTA for his role in The Naked Civil Servant.

Laura Mackie, Director of Drama at ITV, said:

“We are delighted to be making another film about Quentin Crisp given The Naked Civil Servant was such a landmark film for ITV. It’s a real thrill and honour to be bringing an actor of John Hurt's stature back to the channel to reprise such an iconic role. This is largely down to the quality of Brian Fillis' wonderful script, which completely captures the extraordinary and outrageous character of Quentin Crisp.”

Executive Producer James Burstall of Leopardrama said:

"This is Leopardrama's most ambitious project to date. A period piece set in the 1970's and 1980's, it picks up where The Naked Civil Servant left off. It is a great honour for us to be working with John Hurt in one of his most seminal roles."

AN ENGLISHMAN IN NEW YORK will be produced by Amanda Jenks (The Grey Man, Mysterious Creatures) and directed by Richard Laxton (Hancock & Joan, Grow Your Own). It is written by Brian Fillis (Curse of Steptoe, Fear of Fanny).

Friday, August 21, 2009

Babel

(recorded from tv premiere)

Babel

Three stories set in three continents bound by a fateful shot fired by a Moroccan boy messing around in the mountains. Brad Pitt and Cate Blanchett are only a third of this game of unintended consequences, set by director Alejandro González-Iñárritu and writer Guillermo Arriaga.


Babel is the final part of the trilogy created by director Alejandro Gonzalez Inarritu and writer Guillermo Arriaga following the excellent Amores Perros and 21 Grams. Like the two previous installments, Babel deals with the darker aspects of the human condition, interweaving various stories around a central theme. As its title suggests, Babel is a study of language and the confusion and mistrust caused by the inability to communicate. With its three central stories set in Morocco, Mexico and Japan, Babel shows how frustrations and problems with language are a global issue.

It's an absorbing topic. The same however cannot be said of Babel which, for nearly two and half hours, cuts from one despairing episode to the next. Inarritu and Arriaga offer a very bleak perspective of life. There is no respite from the unrelenting misery. Both are so insistent we get the point they offer nothing that might possibly detract from their purpose. The result is a hard one to stomach. Slow and serious aren't synonyms for good and Babel's laboured intensity should not unquestioningly be construed as profound.

The central story involves Richard (Brad Pitt) and Susan (Cate Blanchett), married parents of two young children who are attempting to overcome the recent death of a third child by vacationing in Morocco. Susan is shot in the shoulder when the coach she and Richard are traveling on is chosen as a random target by two young boys who are trying out a new high-powered rifle given to them by their goat-herding father. Back in California, Amerlia (Adriana Barraza), the Mexican nanny of Richard and Susan's children, is forced to take them across the border to Tijuana so she can attend her son's wedding. The third story involves a deaf-mute student Chieko (Rinko Kikuchi) who's struggling to come to terms with her mother's suicide and the frustrations her disability imposes on her burgeoning sexuality.

All three stories are linked both by circumstance and theme to create a unifying motif. Inarritu's penchant for playing with time and jumping between the storylines has the effect of breaking tension rather than increasing it. Where Babel does succeed is showing how inadvertent actions can have devastating effects.


Pitt is admirably unglamorous as the distraught Richard, who frantically tries to deal with Moroccan bureaucracy to get help for his wife. Wastefully Blanchett is given little to do other than wince and Gael Garcia Bernal appears all too briefly as Amelia's wayward nephew. The striking Rinko Kikuchi, in a starkly vulnerable and brave performance, provides Babel with its emotional core, quite an achievement without words.

Inarritu is undoubtedly a gifted and impassioned director. The scope and ambition of Babel is to be applauded, but making it more concise and providing some coruscating moments by way of contrast would not have diluted its impact and would perhaps have made it more compelling.

Kevin Murphy


Saturday, May 09, 2009

Zoo

(a most disturbing film about a very dark side of human sexuality)

Zoo, a film by The Stranger columnist Charles Mudede and director Robinson Devor, and executive producers Garr Godfrey and Ben Exworthy, is a documentary on the life and death ofKenneth Pinyan (played by Adam T. McLain) a Seattle area man who died of peritonitis due to perforation of the colon after engaging in receptive anal sex with a horse. The film's public debut was at the Sundance Film Festival in January 2007, where it was one of 16 winners out of 856 candidates, and played at numerous regional festivals in the USA thereafter.Following Sundance, it was also selected as one of the top five American films to be presented at the prestigious Directors Fortnight sidebar at the 2007 Cannes Film Festival.

The director and festival shortlist producers describe the film as:

"The complete antithesis of what you expect ... To begin with, 'Zoo' is neither graphic nor exploitive. Most of it takes the form of recreations, but from the point of view of the men 'who met for years without disturbance in the shadows of Mt. Rainier,' as Devor puts it."
"I aestheticized the sleaze right out of it." - Devor
"This was a guy who was a conservative man at one point, and those ideas started breaking down for him. I think that 9/11 triggered a lot of it. But he was [also] in the center of one of the most secretive military complexes. Meanwhile, he listened to a lot of left-wing radio, he questioned everything our government was involved in, and he was ethically conflicted about his job and the money he was making. That's the core fascination for me." - Devor, describing his interest in the film's subject. 

The film was made with co-operation of the two men who took Pinyan to the hospital, as well as other friends of his, in the attempt to explore the life and death of the man, as well as those who came to the farm near Enumclaw for similar reasons, beyond the public understanding of the media. It does contain explicit material of sexual activities, but only in the view of video footage shown on a small television screen.

The Sundance judges called it a "humanizing look at the life and bizarre death of a seemingly normal Seattle family man who met his untimely end after an unusual encounter with a horse".

"They called us and were excited about the imagery, the poetry, the experimentation with the documentary form," says Charles Mudede, the film's writer and an editor at the alternative weeklyThe Stranger. [...] "It's unmentionable... And then strangely, suddenly, in 2005, it becomes the talk of society. How exactly does that happen? How do we go from something being utterly hidden from view, and then suddenly we're consumed with it and so upset by it we need to pass a law?"

Friday, May 01, 2009

And when did you last see your father?

(engaging film based on book)

BIOGRAPHY

Blake Morrison was born in Skipton, Yorkshire, in 1950. He was educated at the University of Nottingham and University College, London. He worked for the Times Literary Supplement between 1978 and 1981 and was then literary editor for both The Observer and the Independent on Sunday. He is Fellow of the Royal Society of Literature, a former Chairman of the Poetry Book Society and council member of the Poetry Society, a member of the Literature Panel of the Arts Council of England and Vice-Chairman of English PEN.

His non-fiction books include And When Did You Last See Your Father? (1993), an honest and moving account of his father's life and death. It won the J. R. Ackerley Prize and the Esquire/Volvo/Waterstone's Non-Fiction Book Award and was made into a film in 2007, starring Colin Firth. As If (1997), is about the trial of the two young boys convicted of killing the toddler James Bulger in Liverpool in 1993, andToo True (1998), is a collection of essays (and stories). His poetry includes the collectionsDark Glasses (1984), winner of a Somerset Maugham Award, and The Ballad of the Yorkshire Ripper (and Other Poems) (1987). A selection of his poems, Pendle Witches, was published in a special edition in 1996, illustrated by the artist Paula Rego.

Blake Morrison's first novel, The Justification of Johann Gutenberg, a fictional portrait of the 15th-century printer and the inventor of movable type, was published in 2000.

His critical work includes The Movement: English Poetry and Fiction of the 1950s (1980) and Seamus Heaney (1982). He is editor (with Andrew Motion) of The Penguin Book of Contemporary British Poetry (1982) and wrote a book for children, The Yellow House(1987), illustrated by Helen Craig. His play, The Cracked Pot (1996), is an adaptation of Heinrich von Kleist's Der Zerbrochene Krug. Both this and his version of Sophocles'sOedipus (2001) were produced and performed by Barrie Rutter's theatre company Northern Broadsides. The same theatre company went on to perform his version ofAntigone in 2003 and published Antigone and Oedipus (2003) in a double volume the same year. He is the author of the screenplay for The Bicycle Thieves, a short film for Channel 4 Television. He also wrote the libretto for the opera Dr Ox's Experiment with music by Gavin Bryars, with whom he has recently collaborated on a second opera, 5.

Blake Morrison lives in London. His book, Things My Mother Never Told Me, a memoir of his mother, was published in 2002.  His most recent novel is South of the River (2007).



And When Did You Last See Your Father? is Blake Morrison's moving and candid memoir of his father in the weeks leading up to his death. When Arthur Morrison was diagnosed with terminal cancer he had only a few weeks left to live. Morrison traveled to Yorkshire to stay with his mother in the village where he grew up. He visited his father at the hospital where he had spent so much time with his own patients as a GP. As his father's condition worsened Morrison contemplated their shared experiences, the intimacies and the irritations of their relationship. After his father's death Morrison questions the nature of the bond between them, articulately expressing the contradictions, frustrations, love and loss bound into the complicated relationships which most of us have with our parents as we grow up.

Monday, March 30, 2009

The Yacoubian Building

(tv recording of particular interest in view of Easter visit to Coptic monks near Scarborough)

The Yacoubian Building (Arabic: عمارة يعقوبيان ʿImārat Yaʿqūbīān) is a novel by Egyptian author Alaa el-Aswany. The book was made into a film of the same name in 2006 and into a TV series.

Published in Arabic in 2002 and in an English translation in 2004, the book, ostensibly set in 1990 at about the time of the first Gulf War, is a roman à clef and scathing portrayal of modern Egyptian society since the coup d'état (aka Revolution) of 1952. The locale of the novel is downtown Cairo, with the titular apartment building (which actually exists) serving as both a metaphor for contemporary Egypt and a unifying location in which most of the primary characters either live or work and in which much of the novel's action takes place.

The Yacoubian Building was the best selling Arabic novel for 2002 and 2003, and was voted Best Novel for 2003 by listeners to Egypt's Middle East Broadcasting Service. It has been translated into 23 languages worldwide.

El-Aswany, a dentist by profession, had his first office in the real Yacoubian Building.

Explanation of the novel's title

The actual namesake building, constructed in the Art Deco style, still stands in downtown Cairo at the address given in the novel: 34, Talaat Harb Street (referred to by its old name,Suleiman Basha Street, by both native Cairenes and the novel's characters), although its true appearance differs from its description in the book. Al Aswany writes of its fictional counterpart as having been designed "in the high classical European style, the balconies decorated with Greek faces carved in stone, the columns, steps, and corridors all of natural marble."


The Yacoubian Building (Arabic: عمارة يعقوبيان‎, transliterated: ''ʿImārat Yaʿqūbīān'' orOmaret Yakobean) is an Egyptian film based on the novel of the same title by authorAlaa Al Aswany. It has been reported to be the highest-budgeted film in the history ofEgyptian cinema.

Like the novel ostensibly set in 1990 at about the time of the first Gulf War, the film is a scathing portrayal of modern Egyptian society since the coup d'état of 1952. The setting is downtown Cairo, with the titular apartment building (which actually exists) serving as both a metaphor for contemporary Egypt and a unifying location in which most of the primary characters either live or work and in which much of the action takes place.

The actual namesake building, constructed in the Art Deco style, still stands in downtown Cairo at the address given in the novel: 34 Talaat Harb Street (referred to by its old name, Suleiman Basha Street, by both native Cairenes and the novel's characters). As in the novel, the film's version of the building is "in the high classical European style, the balconies decorated with Greek faces carved in stone..."

After premiering at the Berlin Film Festival in 2006, the film opened in Egypt in June.

The Yacoubian Building was Egypt's official submission to the 79th Academy Awards for Best Foreign Language Film.

Plot summary

The film opens with a montage tracing the building's history, as wealthy expatriate and Egyptian residents give way, after the 1952 coup that overthrew King Farouk and eventually resulted in the installation of Gamal Abdel Nasser as President of Egypt, to new families, and as the rooftop storage rooms are converted into living space for lower-class families. The rooftop community, effectively a slum neighborhood, is symbolic of the urbanization of Egypt and of the burgeoning population growth in its large cities in recent decades, especially among the poor and working classes. In the faded apartments of the main floors and on the building's teeming roof, the films's principal characters are introduced:

  • Zaki Bey el Dessouki (Adel Imam) – a wealthy and elderly foreign-educated engineer who spends most of his time pursuing women and who maintains an office in the Yacoubian, he personifies the ruling class prior to the Revolution: cosmopolitan, cultured, western in outlook, and not particularly observant of Islam
  • Taha el Shazli (Mohamed Imam) – the son of the building doorman, he excelled in school and hoped to be admitted to the Police Academy but found that his father's profession, considered too lowly by the generals conducting his character interview, was an obstacle to admission; disaffected, he enrolls at the University and eventually joins a militant Islamist organization modeled upon the Jamaa Islamya
  • Buthayna el Sayed (Hend Sabri) – initially Taha's childhood sweetheart, she is forced to find a job to help support her family after her father dies and is disillusioned to find that her male employer expects sexual favors from her and her female coworkers in exchange for additional money and gifts on the side, and that her mother expects her to preserve her virginity while not refusing her boss's sexual advances outright; embittered, she eventually comes to use her beauty as a tool to advance her own interests but finds herself falling in love with Zaki Bey el Dessouki, whom she'd been planning with Malak to swindle out of his apartment
  • Malak (Ahmed Bedeir) – a shirtmaker and petty schemer seeking to open a shop on the Yacoubian's roof and then to insinuate himself into one of the more posh apartments downstairs
  • Hatim Rasheed (Khaled El Sawy) – the son of an Egyptian father who was a noted legal scholar and a French mother, he is the editor of Le Caire, a French language daily newspaper; more attention is paid to his private life, for he is a fairly open homosexual in a society which either looks the other way or openly condemns such behavior and inclinations
  • Hagg Muhammad Azzam (Nour El Sherif) – one of Egypt's wealthiest men and a migrant to Cairo from the countryside, in the space of thirty years he has gone from shoeshiner to self-made millionaire; he seeks an acceptable and legal outlet for his (temporarily) resurgent libido in a secret, second marriage to an attractive young widow, and also realizes his goal of serving in the People's Assembly (Parliament), but comes face to face with the enormous corruption, graft, and bribery of contemporary Egyptian politics.
  • Christine (Youssra) – a world-weary chanteuse who advises Zaki Bey on his love life and whose poignant singing of European songs like "La Vie en Rose" punctuates the film.

The stories of each of the primary characters are intertwined, at times colliding or converging with one another. Together, they give a biting condemnation of a nation that has squandered its promise and which has been forced to compromise its own principles, resulting in a corrupt and undemocratic political system dominated by a single party (the fictitious "Patriotic Party", a thinly-veiled version of Egypt's National Democratic Party). The unlikely pairing of the elderly roué and the disillusioned young girl that ends the film provides a closing grace note that can be seen as a ray of hope against the death and unhappiness that has befallen the other characters.

Having received the Adults Only seal from the board of censors in Egypt, the film debuted on June 25th to box office returns of over LE 6,000,000 in its first week, according to Al Ahram Daily, giving it the record for the biggest debut ever for a theatrical film in Egypt. It went on to gross LE 20 million during its initial theatrical run. The film is expected to bring in more profits when it is released on home video and to TV.

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