Showing posts with label monks. Show all posts
Showing posts with label monks. Show all posts

Tuesday, May 18, 2010

Coptic monks in Ireland

On the Trail of the Seven Coptic Monks in Ireland – His Grace Metropolitan Seraphim

The Coptic Orthodox Church has long known of the historic links between the British Isles and Christian Egypt, but documentation and solid evidence is thin on the ground for these early centuries of church history. There are learned articles by Monique Blanc-Ortolan of the Musee des Arts dE9coratifs, Paris, and Pierre du Bourguet of the Louvre on ‘Coptic and Irish Art’ and by Joseph F.T. Kelly of John Carroll University, Cleveland, Ohio, on ‘Coptic Influences in the British Isles’ in the Coptic Encyclopedia which are worth consulting. Other works, like Shirley Toulson’s The Celtic Year, which asserts that “rather than adhere to the ruling of the Council [of Chalcedon], some of the most dedicated adherents of Monophysitism fled from Egypt, and some of them most surely travelled west and north to Ireland”, in their enthusiasm to establish a link, make up what is lacking in hard evidence with sheer conjecture and fantasy.

The late Archdale King noted the links between Celtic Ireland and Coptic Egypt. He suggests that much of the contact took place before the Muslim Conquest of 640. There exists evidence of a Mediterranean trade in a single passage in the life of St. John the Almsgiver (Ioannes III Eleemon), Greek Patriarch of Alexandria between 610-621, in which reference is made to a vessel sailing to Alexandria from Britain with a cargo of tin, doubtless come from Cornwall or Somerset.

King observes that the kind of asceticism associated with the Desert Fathers was especially congenial to the Irish but refers to Dom Henri Leclercq’s suggestion that Celtic monasticism was directly derived from Egypt, as an “unsubstantiated hypothesis”. No serious historian, however, would deny that first-hand knowledge of the Desert Fathers was brought directly to the South of Gaul by St. John Cassian and that the links between the British and Gallican churches were especially strong at this period. King nevertheless admits that the grouping together of several small churches within a cashel or fortified enclosure seems to support Leclercq’s view.

King mentions an Ogham inscription on a stone near St. Olan’s Well in the parish of Aghabulloge, County Cork, which scholars interpret as reading: ‘Pray for Olan the Egyptian.’ Professor Stokes tells us5 about the Irish monk Dicuil, who around 825 wrote his Liber de Mensure orbis terre describing the pyramids as well as an ancient precursor of the Suez Canal. It would seem that Egypt was often visited by pilgrims to the Holy Land. Stokes instances the Saltair Na Rann, an anthology of biblical poems attributed to Oengus the Culdee, but containing the sixth or seventh century Book of Adam and Eve, composed in Egypt and known in no other European country except Ireland.

King also notes that one of the commonest names for townlands or parishes is Disert or ‘Desert’: a solitary place in which anchorites were established. Presumably the same etymology gives us the Scottish Dysart, just north of Kirkcaldy, and the Welsh Dyserth, to the south of Prestatyn ? This would then present a consistent picture common to Celtic Christianity. The Martyrology of Oengus the Culdee, an early ninth century monastic bishop of Clonenagh (Co. Offaly) and later of Tallaght, has a litany invoking ‘Seven monks of Egypt in Disert Uilaig, I invoke unto my aid, through Jesus Christ.’ [Morfesseor do manchaib Egipr(e) in disiurt Uilaig]. The Antiphonary of Bangor (dating from between 680-691) also contains the text:

” … Domus deliciis plena Super petram constructa Necnon vinea vera Ex Aegypto transducta …”

which is translated as:

” … House full of delight Built on the rock And indeed true vine Translanted from Egypt …”

Providence undoubtedly put me in touch with Fr. Feargal Patrick McGrady, priest of Ballymena, County Antrim in the Roman Catholic Diocese of Down and Connor. As well as being a native of Downpatrick (the burial place of St. Patrick), Father Feargal is enthusiastic about the Eastern churches and holds His Holiness Pope Shenouda in high esteem. He was delighted to assist with my enquiries and very soon made contacts with local historians, who are the real source of the information we need.

Dr. Cahal Dallat, Genealogist and Historical Consultant, of Ballycastle, County Antrim, identified Disert Ilidh or Uilaigh with Dundesert, near Crumlin, county Antrim, which is to the north-west of Belfast, the capital of Northern Ireland, between Belfast International Airport and Templepatrick.

Mr. Bobbie Burns, a local historian living in Crumlin, was another link in the chain. He produced a report in the Belfast Telegraph of 13th July 1936 under the headline “Unique Once Famous Ulster Church: Neglected Crumlin Ruins”, which showed the ruins of the medieval church built on the site of an earlier shrine. The local historical group is taking a renewed interest in the site and the local Protestant landowner has given permission for them to come and go freely to the site. It is hoped that they might obtain a grant to restore the dilapidated ruins but they are excited by its more ancient and possible Coptic connections. The site is approached by a path along the side of a grazing field 200-300 metres from Poplar Road. It is on the steep bank of the Crumlin River, which is a large free-flowing river, but is more than 100 metres from the water. Access is easy in dry weather, but not pleasant after heavy rain. The terrain inside the enclosure is very rough. The ground is strewn with boulders which have either fallen or been removed from the medieval walls. Parts of the medieval walls, in places three feet thick and covered in ivy, survive on the east (or gable) and south sides. The east wall contains two arched recesses or sedilia, now only about four feet in height but probably much higher if their foundations were cleared of the extensive in-fill of stones and earth. The gable rises to around thirty feet in height but a number of stones have already been removed and were any more to go it would be undermined and likely to collapse. What remains of the wall at the other end is much lower. It is likely that the whole structure would have been removed long ago but for the difficulties of dislodging stone from the walls and the problem of transportation to the road.

We are grateful for the efforts of these local enthusiasts for having preserved these ancient ruins and look forward to making further discoveries about the last resting place of the seven monks of Egypt.

Patrick Patrick and Coptic Christianity

The Egyptian "Coptic" Orthodox Church was one of the first established Christian Churches, together with the Churches of Jerusalem and Antioch. In the first centuries of Christianity, the Egyptian Church was very active and was working to spread Christianity, beyond Egypt. Egyptian monks and laymen, were everywhere. This was well documented by historians and the history of the church.

The Connection to France

A community of Coptic monks went to Gaul where they founded a community on an island called "Lerins" in the Mediterranean Sea . The island was nearGaul.

David Marshall, Ph.D. of the University of Hull, England, has written a book which discusses the strong connection between the St. Patrick and the Coptic Monks in Lerins.

In "Liturgics" Fr. Dmitri Ross, OSJ . SSBM. MA. Th. L. EM; discussed the Celtic Church. Fr. Dmiti Ross, of St. Dunstan of Canterbury Orthodox Parish, Cromwell, New Zealand, also has written of how monasticism strongly influenced the Celtic Church and was a reason for its quick success. Ross tells how monastisicism came to the Celtic Church from the Egyptian Church, "Coptic Orthodox Church of Alexandria". The connection came through Gaul,( France), where a good number of Egyptian monks were living including those in the Monastery at Lerins. Coptic Christianity

The Egyptian "Coptic" Orthodox Church was one of the first established Christian Churches, together with the Churches of Jerusalem and Antioch. In the first centuries of Christianity, the Egyptian Church was very active and was working to spread Christianity, beyond Egypt. Egyptian monks and laymen, were everywhere. This was well documented by historians and the history of the church.

The Connection to France

A community of Coptic monks went to Gaul where they founded a community on an island called "Lerins" in the Mediterranean Sea . The island was nearGaul.

David Marshall, Ph.D. of the University of Hull, England, has written a book which discusses the strong connection between the St. Patrick and the Coptic Monks in Lerins.

In "Liturgics" Fr. Dmitri Ross, OSJ . SSBM. MA. Th. L. EM; discussed the Celtic Church. Fr. Dmiti Ross, of St. Dunstan of Canterbury Orthodox Parish, Cromwell, New Zealand, also has written of how monasticism strongly influenced the Celtic Church and was a reason for its quick success. Ross tells how monastisicism came to the Celtic Church from the Egyptian Church, "Coptic Orthodox Church of Alexandria". The connection came through Gaul,( France), where a good number of Egyptian monks were living including those in the Monastery at Lerins.

Patrick and Coptic Christianity

The Egyptian "Coptic" Orthodox Church was one of the first established Christian Churches, together with the Churches of Jerusalem and Antioch. In the first centuries of Christianity, the Egyptian Church was very active and was working to spread Christianity, beyond Egypt. Egyptian monks and laymen, were everywhere. This was well documented by historians and the history of the church.

The Connection to France

A community of Coptic monks went to Gaul where they founded a community on an island called "Lerins" in the Mediterranean Sea . The island was nearGaul.

David Marshall, Ph.D. of the University of Hull, England, has written a book which discusses the strong connection between the St. Patrick and the Coptic Monks in Lerins.

In "Liturgics" Fr. Dmitri Ross, OSJ . SSBM. MA. Th. L. EM; discussed the Celtic Church. Fr. Dmiti Ross, of St. Dunstan of Canterbury Orthodox Parish, Cromwell, New Zealand, also has written of how monasticism strongly influenced the Celtic Church and was a reason for its quick success. Ross tells how monastisicism came to the Celtic Church from the Egyptian Church, "Coptic Orthodox Church of Alexandria". The connection came through Gaul,( France), where a good number of Egyptian monks were living including those in the Monastery at Lerins.

Tuesday, November 03, 2009

Vespers of the Dead

(Yesterday we also re-visited Ampleforth for 'Vespers of the Dead' and silent supper)

Vespers of the Dead

STAND and PROFOUND INCLINATION

When Vespers does not immediately follow upon the bringing of the body into the Church and the consequent litrugical devotions, or upon some liturgical function for the Dead, or after Vespers of the day, the Dual Prayer is first said secretly; otherwise Vespers is begun with the Antiphon below. And the Antiphons are not doubled except as directed in the Rubrics.

Pater noster.
Ave María.
Our Father.
Hail Mary.

STAND

No Opening Versicles are said, but the Office commences with the singing of the first Antiphon. After the Cantor has intoned the first half of the first verse of the Psalm, all sit and remain sitting until the end of the Psalms.

Ant. Placébo Dómino * in regióne vivórum.

Ant. I will walk before the Lord * in the land of the living.

Psalmus 114. Dilexi, quoniam

Diléxi, quóniam exáudiet Dóminus * vocem oratiónis meæ.
2 Quia inclinávit aurem suam mihi: * et in diébus meis invocábo.
3 Circumdedérunt me dolóres mortis: * et perícula inférni invenérunt me.
4 Tribulatiónem et dolórem invéni: * et nomen Dómini invocávi.
5 O Dómine, líbera ánimam meam: * miséricors Dóminus, et justus, et Deus noster miserétur.
6 Custódiens párvulos Dóminus: * humiliátus sum, et liberávit me.
7 Convértere, ánima mea, in réquiem tuam: * quia Dóminus benefécit tibi.
8 Quia erípuit ánimam meam de morte: * óculos meos a lácrimis, pedes meos a lapsu.
9 Placébo Dómino * in regióne vivórum.
10 Réquiem ætérnam * dona eis, Dómine.
11 Et lux perpétua * lúceat eis.

Psalm 114. Dilexi, quoniam

I am well pleased, because the Lord hath heard * the voice of my prayer;
2 Because he hath inclined his ear unto me; * therefore will I call upon him all my days.
3 The sorrows of death compassed me round about, * and the perils of hell gat hold upon me.
4 Sorrow and trouble did I find; * then called I upon the Name of the Lord.
5 O Lord, deliver my soul : * gracious is the Lord, and righteous; yea, our God is merciful.
6 The Lord preserveth the simple: * I was brought low, and he delivered me.
7 Return unto thy rest, O my soul; * for the Lord hath dealt bountifully with thee.
8 For he hath delivered my soul from death, * mine eyes from tears, and my feet from falling.
9 I will walk before the Lord * in the land of the living.
10 Eternal rest * grant unto them, O Lord.
11 And let perpetual light * shine upon them.

Ant. Placébo Dómino in regióne vivórum.

Ant. I will walk before the Lord in the land of the living.

Ant. Hei mihi, Dómine, * quia incolátus meus prolongátus est.

Ant. Woe is me, O Lord, * that I am constrained to dwell among them that are enemies unto peace.

Psalmus 119. Ad Dóminum

Ad Dóminum cum tribulárer clamávi: * et exaudívit me.
2 Dómine, líbera ánimam meam a lábiis iníquis, * et a lingua dolósa.
3 Quid detur tibi, aut quid apponátur tibi * ad linguam dolósam?
4 Sagíttæ poténtis acútæ, * cum carbónibus desolatóriis.
5 Heu mihi, quia incolátus meus prolongátus est: habitávi cum habitántibus Cedar: * multum íncola fuit ánima mea.
6 Cum his, qui odérunt pacem, eram pacíficus: * cum loquébar illis, impugnábant me gratis.
7 Réquiem ætérnam * dona eis, Dómine.
8 Et lux perpétua * lúceat eis.

Psalm 119. Ad Dóminum

WHEN I was in trouble, I called upon the Lord, * and he heard me.
2 Deliver my soul, O Lord, from lying lips, * and from a deceitful tongue.
3 What reward shall be given or done unto thee, thou false tongue? * even mighty and sharp arrows, with hot burning coals.
4 Woe is me, that I am constrained to dwell with Meshech, * and to have my habitation among the tents of Kedar!
5 My soul hath long dwelt among them * that are enemies unto peace.
6 I labour for peace; but when I speak unto them thereof, * they make them ready to battle.
7 Eternal rest * grant unto them, O Lord.
8 And let perpetual light * shine upon them.

Ant. Hei mihi, Dómine, quia incolátus meus prolongátus est.

Ant. Woe is me, O Lord, that I am constrained to dwell among them that are enemies unto peace.

Ant. Dóminus custódit te * ab omni malo : custódiat ánimam tuam Dóminus.

Ant. The Lord shall preserve thee * from all evil ; yea, it is even he that shall keep thy soul.

Psalmus 120. Levavi oculos

Levávi óculos meos in montes, * unde véniet auxílium mihi.
2 Auxílium meum a Dómino, * qui fecit cælum et terram.
3 Non det in commotiónem pedem tuum: * neque dormítet qui custódit te.
4 Ecce, non dormitábit neque dórmiet, * qui custódit Israël.
5 Dóminus custódit te, Dóminus protéctio tua, * super manum déxteram tuam.
6 Per diem sol non uret te: * neque luna per noctem.
7 Dóminus custódit te ab omni malo: * custódiat ánimam tuam Dóminus.
8 Dóminus custódiat intróitum tuum, et éxitum tuum: * ex hoc nunc, et usque in sæculum.
9 Réquiem ætérnam * dona eis, Dómine.
10 Et lux perpétua * lúceat eis.

Psalm 120. Levavi oculos

I have lifted up mine eyes unto the hills; * from whence cometh my help.
2 My help cometh even from the Lord, * who hath made heaven and earth.
3 May he not suffer thy foot to be moved; * neither let him slumber that keepeth thee.
4
Behold, he that keepeth Israel * shall neither slumber nor sleep.
5 The Lord is thy keeper, the Lord is thy defence * upon thy right hand.
6 The sun shall not burn thee by day, * neither the moon by night.
7 The Lord shall preserve thee from all evil; * yea, it is even he that shall keep thy soul.
8 The Lord shall preserve thy going out, and thy coming in, * from this time forth for evermore.
9 Eternal rest * grant unto them, O Lord.
10 And let perpetual light * shine upon them.

Ant. Dóminus custódit te ab omni malo : custódiat ánimam tuam Dóminus.

Ant. The Lord shall preserve thee from all evil ; yea, it is even he that shall keep thy soul.

Ant. Si iniquitátes * observáveris, Dómine : Dómine, quis sustinébit?

Ant. If thou, Lord, wilt be extreme * to mark what is done amiss, O Lord, who may abide it?

Psalmus 129. De profundis

De profúndis clamávi ad te, Dómine:* Dómine, exáudi vocem meam:
2 Fiant aures tuæ intendéntes: * in vocem deprecatiónis meæ.
3 Si iniquitátes observáveris, Dómine: * Dómine, quis sustinébit?
4 Quia apud te propitiátio est: * et propter legem tuam sustínui te, Dómine.
5 Sustínuit ánima mea in verbo ejus: * sperávit ánima mea in Dómino.
6 A custódia matutína usque ad noctem: * speret Israël in Dómino.
7 Quia apud Dóminum misericórdia: * et copiósa apud eum redémptio.
8 Et ipse rédimet Israël: * ex ómnibus iniquitátibus ejus.
9 Réquiem ætérnam * dona eis, Dómine.
10 Et lux perpétua * lúceat eis.

Psalm 129. De profundis

Out of the depths I have cried unto thee, O Lord; * Lord, hear my voice.
2 O let thine ears be attentive * to the voice of my supplication.
3 If thou, O Lord, shalt observe our iniquities, * Lord, who may endure it?
4 For with thee there is merciful forgiveness : * and by reason of thy law, I have waited for thee, O Lord.
5 My soul hath relied on his word * my soul hath hoped in the Lord.
6 From the morning watch even until night : * let Israel hope in the Lord.
7 Because with the Lord there is mercy, * and with him plentiful redemption.
8 And he shall redeem Israel * from all his iniquities.
9 Eternal rest * grant unto them, O Lord.
10 And let perpetual light * shine upon them.

Ant. Si iniquitátes observáveris, Dómine : Dómine, quis sustinébit?

Ant. If thou, Lord, wilt be extreme to mark what is done amiss, O Lord, who may abide it?

Ant. Opera * mánuum tuárum, Dómine, ne despícias.

Ant. Despise not, O Lord, * the works of thine own hands.

Psalmus 137. Confitebor tibi

Confitébor tibi, Dómine, in toto corde meo: * quóniam audísti verba oris mei.
2 In conspéctu Angelórum psallam tibi: * adorábo ad templum sanctum tuum, et confitébor nómini tuo.
3 Super misericórdia tua, et veritáte tua: * quóniam magnificásti super omne, nomen sanctum tuum.
4 In quacúmque die invocávero te, exáudi me: * multiplicábis in ánima mea virtútem.
5 Confiteántur tibi, Dómine, omnes reges terræ: * quia audiérunt ómnia verba oris tui.
6 Et cantent in viis Dómini: * quóniam magna est glória Dómini.
7 Quóniam excélsus Dóminus, et humília réspicit: * et alta a longe cognóscit.
8 Si ambulávero in médio tribulatiónis, vivificábis me: * et super iram inimicórum meórum extendísti manum tuam, et salvum me fecit déxtera tua.
9 Dóminus retríbuet pro me: * Dómine, misericórdia tua in sæculum: ópera mánuum tuárum ne despícias.
10 Réquiem ætérnam * dona eis, Dómine.
11 Et lux perpétua * lúceat eis.

Psalm 137. Confitebor tibi

I will give thanks unto thee, O Lord, with my whole heart; * for thou hast heard the words of my mouth.
2 Even before the Angels will I sing praise unto thee, * I will worship toward thy holy temple, and I will give glory unto thy Name.
3 Because of thy loving-kindness and truth; * for thou hast magnified thy holy Name above all things.
4 In what day soever I shall call upon thee, hear thou me; * thou shalt endue my soul with much strength.
5 May all the kings of the earth give glory unto thee, O Lord; * for they have heard all the words of thy mouth.
6 Yea, they shall sing in the ways of the Lord, * for great is the glory of the Lord.
7 For the Lord is high, yet looketh he upon the lowly; * and the high he knoweth them afar off.
8 Though I walk in the midst of tribulation, yet shalt thou quicken me; * and thou hast stretched forth thy hand upon the furiousness of mine enemies, and thy right hand hath saved me.
9 The Lord shall render for me; * yea, thy mercy, O Lord, endureth for ever; despise not then the works of thine own hands.
10 Eternal rest * grant unto them, O Lord.
11 And let perpetual light * shine upon them.

Ant. Opera mánuum tuárum, Dómine, ne despícias.

Ant. Despise not, O Lord, the works of thine own hands.

STAND

V. Audívi vocem de cælo dicéntem mihi.
R. Beáti mórtui qui in Dómino moriúntur.

V. I heard a voice from heaven, saying unto me.
R. Blessed are the dead, which die in the Lord.

Ad Magnif. Ant: Omne * quod dat mihi Pater, ad me véniet ; et eum qui venit ad me, non ejíciam foras.

Ant. on Magnif: All * that the Father hath given unto me shall come unto me, and him that cometh unto me I will in no wise cast out.

CANTICUM BEATÆ MARIÆ VIRGINIS

Luc. 1. 46-55

MAGNIFICAT † : * ánima mea Dóminum.
2 Et exsultávit spíritus meus: * in Deo, salutári meo.
3 Quia respéxit humilitátem ancíllæ suæ: * ecce enim ex hoc beátam me dicent omnes generatiónes.
4 Quia fecit mihi magna, qui potens est: * et sanctum nomen ejus.
5 Et misericórdia ejus, a progénie in progénies: * timéntibus eum.
6 Fecit poténtiam in bráchio suo: * dispérsit supérbos mente cordis sui.
7 Depósuit poténtes de sede: * et exaltávit húmiles.
8 Esuriéntes implévit bonis: * et dívites dimísit inánes.
9 Suscépit Israël púerum suum: * recordátus misericórdiæ suæ.
10 Sicut locútus est ad patres nostros: * Abraham, et sémini ejus in sæcula.
11 Réquiem ætérnam * dona eis, Dómine.
12 Et lux perpétua * lúceat eis.

CANTICLE OF THE BLESSED VIRGIN MARY

Luc. 1. 46-55

MY SOUL doth magnify the Lord,† * and my spirit hath rejoiced in God my Saviour.
2 For he hath regarded * the lowliness of his handmaiden.
3 For behold, from henceforth * all generations shall call me blessed.
4 For he that is mighty hath magnified me; * (Here all make a profound reverence) and holy is his Name.
5 And his mercy is on them that fear him * throughout all generations.
6 He hath shewed strength with his arm; * he hath scattered the proud in the imagination of their hearts.
7 He hath put down the mighty from their seat, * and hath exalted the humble and meek.
8 He hath filled the hungry with good things; * and the rich he hath sent empty away.
9 He remembering his mercy hath holpen his servant Israel; * as he promised to our forefathers, Abraham and his seed for ever.
10 Eternal rest * grant unto them, O Lord.
11 And let perpetual light * shine upon them.

Ant: Omne quod dat mihi Pater, ad me véniet ; et eum qui venit ad me, non ejíciam foras.

Ant: All that the Father hath given unto me shall come unto me, and him that cometh unto me I will in no wise cast out.

The following Preces are said kneeling:

KNEEL

Pater noster secreto ad
V. Et ne nos inducas in tentatiónem.
R. Sed líbera nos a malo.

Our Father aloud, then secretly as far as:
V. And lead us not into temptation.
R. But deliver us from evil.

The following Psalm 145, Lauda anima mea, is not said on the day of death, nor on the day of burial of the deceased, nor is it said on whatsoever day the Office is recited according to the rank of Double.

Psalmus 145. Lauda, anima mea

Lauda, ánima mea, Dóminum, laudábo Dóminum in vita mea: * psallam Deo meo quámdiu fúero.
2 Nolíte confídere in princípibus: * in fíliis hóminum, in quibus non est salus.
3 Exíbit spíritus ejus, et revertétur in terram suam: * in illa die períbunt omnes cogitatiónes eórum.
4 Beátus, cujus Deus Jacob adjútor ejus, spes ejus in Dómino Deo ipsíus: * qui fecit cælum et terram, mare et ómnia, quæ in eis sunt.
5 Qui custódit veritátem in sæculum, facit judícium injúriam patiéntibus: * dat escam esuriéntibus.
6 Dóminus solvit compedítos: * Dóminus illúminat cæcos.
7 Dóminus érigit elísos: * Dóminus díligit justos.
8 Dóminus custódit ádvenas, pupíllum et víduam suscípiet: * et vias peccatórum dispérdet.
9 Regnábit Dóminus in sæcula, Deus tuus, Sion, * in generatiónem et generatiónem.
10 Réquiem ætérnam * dona eis, Dómine.
11 Et lux perpétua * lúceat eis.

Psalm 145. Lauda, anima mea

Praise the Lord, O my soul: while I live, will I praise the Lord; * yea, as long as I have any being, I will sing praises unto my God.
2 O put not your trust in princes, * nor in the children of men, in whom is no salvation.
3 His spirit shall go forth, and he shall turn again to his earth, * in that day shall perish all their thoughts.
4 Blessed is he that hath the God of Jacob for his help, and whose hope is in the Lord his God: * who hath made heaven and earth, the sea, and all that therein is.
5 Who keepeth truth for ever, who executeth judgment unto them that suffer wrong; * who feedeth the hungry.
6 The Lord looseth them that are in fetters; * the Lord giveth light to the blind.
7 The Lord lifteth up them that are cast down; * the Lord loveth the righteous.
8 The Lord keepeth the strangers; he shall defend the fatherless and widow: * and destroy the ways of the ungodly.
9 The Lord shall reign for evermore, thy God, O Sion, * throughout all generations.
10 Eternal rest * grant unto them, O Lord.
11 And let perpetual light * shine upon them.

And here, whether the foregoing Psalm was said or not, there is always said :

V. A porta ínferi.
R. Erue, Dómine, ánimam ejus(ánimas eórum).

V. From the gates of hell.
R. Deliver his (her, their) soul(s), O Lord.

V. Requiésca(n)t in pace.
R. Amen.
V. May he (she, they) rest in peace.
R. Amen.
V. Dómine, exáudi oratiónem meam.
R. Et clamor meus ad te véniat.
V. O Lord, hear my prayer.
R. And let my cry come unto thee.
V. Dóminus vobíscum.
R. Et cum spíritu tuo.
V. The Lord be with you.
R. And with thy spirit.

THE COLLECTS FOR THE DEAD

In the Office for the Dead throughout the year the following Collects are said. However, special Collects for the Dead may be said according to the circumstances and the deceased person. Whenever one or more of theseCollects for the Dead are to be used, the appropriate one is said: and thereafter, V. Requiem æternam as given below for the end of the Office.

If the body be absent, the Officiant says the following Collect (which same is said in the singular number, or in the plural, as occasion demands).

In the Office for the Dead throughout the year

Oratio Orémus.
Deus, qui inter apostólicos sacerdótes fámulos tuos pontificáli seu sacerdotáli fecísti dignitáte vigére: præsta, quæsumus ; ut eórum quoque perpétuo aggregéntur consórtio.

Collect Let us pray.
O God, who didst cause thy servants, for whom we pray, to enjoy the dignity of the priesthood, and some to be bishops, after the order of thine Apostles : grant unto them, we beseech thee, finally to rejoice in the company of those Saints in heaven whose ministry they did sometime share on earth.

Deus, véniæ largítor et humánæ salútis amátor : quæsumus cleméntiam tuam ; ut nostræ congregatiónis fratres, propínquos et benefactóres, qui ex hoc sæculo transiérunt, beáta María semper Vírgine intercedénte cum ómnibus Sanctis tuis, ad perpétuæ beatitúdinis consórtium perveníre concédas.

O God, who desirest not the death of a sinner but rather that all mankind should be saved : we beseech thee mercifully to grant that the brethren, kinsfolk, and benefactors of our congregation, who have passed out of this world, may by the intercession of blessed Mary Ever-Virgin and of all thy Saints come to enjoy with them everlasting blessedness.

Fidélium, Deus, ómnium cónditor et redémptor, animábus famulórum famularúmque tuárum remissiónem cunctórum tríbue peccatórum : ut indulgéntiam, quam semper optavérunt, piis supplicatiónibus consequántur : Qui vivis et regnas cum Deo Patre in unitáte Spíritus Sancti Deus, per ómnia sæcula sæculórum.
R. Amen.

O God, the Creator and Redeemer of all them that believe : grant unto the souls of thy servants and handmaidens the remission of all their sins ; that as they have ever desired thy merciful pardon, so by the supplications of their brethren they may receive the same. Who livest and reignest with the Father, in the unity of the Holy Ghost, ever one God, world without end.
R. Amen.


After the Collect, there is said, and always in the plural :

V. Réquiem ætérnam dona eis, Dómine.
R. Et lux perpétua lúceat eis.

V. Eternal rest grant unto them, O Lord.
R. And let perpetual light shine upon them.

V. Requiéscant in pace.
R. Amen.
V. May they rest in peace.
R. Amen.
And thus the Office is concluded, nothing else being added.

Office of the Dead

Monday, November 02, 2009

Stanbrook Sisters

(Today I visit Stanbrook Sisters at Wass with my Coptic Monk friends)

Moved by the Spirit

A new, ‘green’ Stanbrook Abbeyhas been built among the hills of North York shire. Pat Ashworth was allowed a rare glimpse inside its walls (Church Times).

Eco-friendly: a view of the south elevation of the monastery    © not advert

Eco-friendly: a view of the south elevation of the monastery PHOTOS PETER COOK
SHE WALKS with the spring of a young woman, and the deter mined pace of someone on a mission. Her black habit is hitched up to clear the wet grass; she wears stout walking boots; her hands are deep in her pockets; and her white novice-veil is visible above a bright red waterproof mac. She vaults the fence and disappears across the hill side, through pasture grazed by in curious sheep.

It is a glimpse of the contempla tive life that speaks volumes about Stanbrook Abbey in its new loca­tion. Cistercians traditionally built their monasteries in the valleys, but Benedictines built them on the heights. And while this hilltop in the North Yorkshire Moors National Park is no Subiaco or Monte Cas sino, its south-facing slopes are open to the vastness of the sky, and a view over the Vale of York that on a good day can stretch for 70 miles.

This is now the 21st-century home of the 24 Benedictine nuns who make up the Conventus of Our Lady of Consolation. Their journey from a Pugin building in Worcester shire began in 1997, when they em barked on a journey to discern the most important elements of their monastic and contemplative life. “If we had known then what we know now, we would have pulled the shutters down and told the Holy Spirit we weren’t in,” says the Abbess, the Rt Revd Dame Andrea Savage.

THE community’s former home, in the shadow of the Malvern Hills, is acknow ledged for its beauty. It was built for a community of 70 at the time of John Henry Newman’s “Second Spring”, when the vision of the monastic life included a large, imposing building. Did they enter the monastery to be caretakers of such a building, the nuns of 1997 reflected? The listed edifice was on four echoing floors served by an erratic lift. Feasibility studies showed that it would be impossible to adapt it, and a search for an exis ting building to convert proved fruit less.

The community faced the chal lenge, decided to sell, and, in 2003, appointed architects to design a new monastery. Five Sisters with appro priate experience that included architectural skills, scoured the country for sites, and returned each time with the strong conviction that none of them would be right.

The Abbot of Ampleforth invited them to consider North Yorkshire. And, after being gazumped on one property, they received — by way of compensation from an embarrassed estate agent — details of the farm house and buildings on the present 56-acre site.

The five Sisters reported back with enthusiasm, and a site viewing by the whole community produced unanimous support. That they were led here they have no doubt. It was a greenfield site in a National Park, where only an exceptional building for an exceptional client has any chance of being approved. Any new building must also conserve and enhance the beauty and heritage of the natural landscape.

“We took a great leap of faith, and bought this property without planning permission, which in the eyes of many seemed very unwise,” Mother Andrea, a spirited Glas wegian, said. “We had found a site very rich in Benedictine mona sti-cism. The land itself was probably farmed centuries ago by the monks of Byland Abbey and of Rievaulx. We were renewing a footprint of faith that was already around us.”

The appointed architects, Feilden Clegg Bradley Studios, acknowledge that being asked to express a sense of the transcendent in the design of the new abbey was “a fantastic challenge that doesn’t come with every commission”.

THE sight of a traditionally robed nun in England has been rare for the past 50 years, and the attempt to trade down to something more fitting for their way of life had met with “an understandable look of surprise and bafflement” from people, the prin cipal architect, Gill Smith, said.

The Sisters had come with what she described as “a remarkably thorough and impressive” brief for

a building designed to last at least 250 years: a living contemplative tradition to pass on to the future.

“It was very educative for us: we had to learn a lot about monastic living, and they had to learn about the world of money and building and relationships, the morass of pushing and pulling out of which comes the design,” she said.

There is a special quality of light in this part of the country, with its chequered fields and glimpses of water. White clouds mass in gigantic formations in bright blue skies and over golden hayfields in summer, and there’s a dramatic aura even to forbidding power stations on the horizon. The panorama from the Abbey is 180 degrees, and there is an enormous depth of vision.
“Every day that we get up and draw the curtains, the landscape is dif ferent,” Sister Petra says. “One day it’s absolutely awesome, and other days it’s very intimate. On a sunny day with bright shadows it’s very tender, and on another day it’s all dark sky and thundering rain. When it rains, it really does rain. And the wind! It’s very liberating.”

THE enclosure is the nuns’ entire world for a lifetime, fostering a life of prayer and witness to God. Prayer and spiritual reading are the two “bookends” of

a long day that begins at 4.30 a.m., and is punctuated by vigil, the Divine Office six times a day, manual labour, meals, and a short period of recreation.

The Benedictine way of prayer is lectio divina, a slow and meditative reading not for information but to deepen the relationship with God: what Sister Petra describes as the opposite of mastering a text.

“You might only read a para graph in three-quarters of an hour, but you meditate on it and use that as a kind of springboard for prayer,” she says. “We believe we hear God speaking to us through that reading. You wait for the word to speak to you — a phrase that will really arrest you and speak to your mind and your heart — and that’s when you stop and give yourself up to it.

“You are being asked to give up being in charge and mastering things and making progress, not to be hurried or distracted. It’s a tre mendous spiritual discipline.”

The architects had to understand this Benedictine way of life, where a great part of the day is spent in prayer in the nuns’ individual cells. All the cells nestle into the contours of the south-facing slopes, with only what Ms Smith describes as “the view, and nothing to interfere with you and God”.

Mother Andrea says: “Being able to walk out on to the balcony of your cell and experience God’s creation enveloping us was a prayer all by itself. This is the aspect the community rejoices in.”

LIGHT, tranquillity, silence, and the “rich monastic patrimony” of the site were uppermost in the architects’ mind. They opted for a classic orthogonal, symmetrical design rather than the fluid lines of what might have been something more “chaotic and organic”, although the church and library that will be added in the second phase of building will be more curva ceous, the flourishes to the core simplicity.

Inevitable cost-cutting came with the economic downturn; and they have not yet found a buyer for the £6-million property in Worcester. They have already spent £5 million on the new one.

What is here now allows the nuns to live their monastic life, but, until the old property is sold, there will not be enough money for the next phases, which include guest accommodation, another Benedic tine charism. The small chapter house inadequately serves as the church, and is open to worshippers from outside.

The Sisters earned the architects’ respect by not compromising on any of the sustainable elements, “hanging on to aspects which most clients just drop”, Ms Smith said. These include the use of recycled local sandstone, solar panels, a woodchip boiler, and water from a rainwater harvester to flush the lavatories, wash the laundry, and serve outside taps for the garden and orchard that will take shape.

A reed-bed system is associated with the septic tank; and a mat of sedum on the east and west roofs of the cloister reduces noise, keeps in the warmth, and provides a view of natural, living roofscape from the first-floor windows.

FOR two hours on an October afternoon, an opportunity never to be repeated, we are privileged as an invited group of journalists to see not only the shared spaces for guests and nuns, all accessed on the east side of the building, but the private enclosure itself, with the cloister courtyard at its hub. The tiny cells resemble simple student-rooms. The wind is whipping up outside, but the white corridors are calm and warm, and the courtyard, with its stunning glass cloister, is bright with sun­shine.

The workrooms are on the first floor, and include a large, bright sewing-room where the nuns make their own habits. There is a smell of clean laundry emanating from neat stacks of well-worn towels and bed-linen. The bulk of the 60,000 books, some of them rare, which comprise the vast library, will have to remain in cardboard boxes until the new library is built, while other books jostle on corridor shelves and in the novitiate common-room.

We descend even to the cellar, with its fragrant woodchip moun tain contained behind a high stable door. Back at ground level there are fresh scones, hunks of chocolate cake, and big pots of tea in the re fectory, where Robert “Mouseman” Thompson’s great oak tables and heavy chairs have survived the journey from Worcester to come home to Yorkshire. Flowers and gifts poured into the Abbey from local people when the nuns arrived, and an Open Day in September was so popular that they ran out of cake.

Always there is an awareness of the surroundings, the inward still ness, and the natural world outside. The 56 acres of the enclosure stretch right to the tree line. Sister Petra, who has been a journalist, a nurse, and a teacher in her former life, reflects on the 17 flat acres from which the nuns have come. “You never thought twice about it. But when you went out for a walk, you literally went for the same walk every time,” she remembers.

“This is a community of faith, but we are very real people and have the same problems as other people do in the world. In the world, if you’ve got problems you can go down the road to the pub or the cinema, or go on holiday. Here, you can’t. That’s when you walk the 56 acres. That’s a very real way of learning to live in community.”
Green space: some of the nuns in the refectory at lunch       PHOTOS PETER COOK  © not advert





Thursday, July 02, 2009

Community Theatre

A former Barnsley miner will reveal that Britain's got talent with his biblical epic performed by the community. Watch a preview in the stunning setting of Monk Bretton Priory.
A call comes in on John Kelly's mobile phone. It's Judas Iscariot.

"Yes Judas?" The conversation continues for a minute of two. "Okay, right Judas, thanks Judas, bye."

It's not clear if all the members of John Kelly's cast stay in character when they get in touch with him. Maybe God (to be played as a disembodied voice by Patrick Stewart) will ring in a moment? Probably not. Doesn't He usually communicate by other means, through a clap of thunder or something?

We are sitting in the bar of John Kelly's tiny theatre in Barnsley. The one-time miner created it by taking out a second mortgage on his house, and all that his investment bought at the time was a wreck of a building. With ingenuity it was transformed into a little gem called the Lamproom which survived for a decade without a penny of public funding.

It's now in it's 10th anniversary year and John Kelly is moving from this small, but perfectly-formed auditorium onto a broader stage. He's directing his own outdoor community version of a medieval Mystery Plays cycle in an arena at the ruins of the 13th century Monk Bretton Priory.

The total number in the cast and crew is nearly 200 – bigger than a capacity Lamproom audience of 187– and will play to 500 people a night for 12 nights.

There are no mysteries in the Mystery Plays. The name comes from the way each craft, or "mystery", in a town undertook to adapt and perform a Bible story to be part of a linked narrative from Creation to Last Judgement.

It was an enterprise which did not justify the ways of God to Man so much as bring them vividly to life by capturing the imagination of the unlettered.

Ordinary people were embedded in Catholic ritual, so instinctively responded to this extension of religion as theatre. These home-spun takes on familiar stories probably had an impact like today's Hollywood blockbusters. Audiences throughout the country turned out anticipating shock and awe and that's what they they seem to have got, with a bit of low humour thrown in.

We're not entirely sure, since most of their scripts were lost after the plays were banned. Four survive, mainly intact, including the York cycle of plays and the Wakefield cycle which were unearthed last century in Lancashire. A modern taste for them was re-discovered when York revived their cycle in 1951 as part of the Festival of Britain.

John has spent years studying them to create his English Mystery Plays which, he says, is 80 per cent new writing. "They can be very long and exceedingly tedious. I've condensed the greatest moments to about two hours, 15 minutes." He got the idea for a narrator he calls Bogoak from the Coventry Cycle and found Toby Stephen, a comedian and presenter on Radio Sheffield, to play the part.

John has also brought in Morris dancing, longsword dancing, medieval music and jesters for what he thinks is the only outdoor play of this sort taking place this summer in western Europe.

He is not one for received opinion where Bible stories are concerned. "I've got great sympathy for Judas from a theatrical point of view. Why does the poor chap have to spend his eternal life in the fires of Hell just because he's the one who had to move the storyline along?"

His show has a couple of interesting star names attached to it, apart from Patrick Stewart. Notes in the programme about the history of Mystery Plays are contributed by dangerous Becky Granger, the chavvy barmaid of the Rovers Return in Coronation Street. Her theme is that there's a theatrical void between Sophocles and Shakespeare and the Mystery Plays fill it.

In real life, Becky is John's elder daughter, Katherine Kelly, recently crowned best actress in the British National soap Awards.

The other name to leap out is Grace Kelly. This is not another ghostly-voice arrangement but a corporeal presence in the shape of John's younger daughter, who plays Eve. Grace Kelly, 19, is off to
Los Angeles to study acting when the show ends.

Her father's fascination with the medieval goes back 30 years. A school party from Worsborough High School went to York for the Mystery Plays which in those days were mounted every three years in the Museum Gardens against the backdrop of the ruins of St Mary's Abbey.

It impressed one of the school's teachers so much she devised her own. The vicar of St Mary's church in Worsborough moved some of the gravestones to make a little acting area and a local outdoor dramatic tradition was born. Later, John, then aged 33, was invited to play Jesus and he went on to direct or produce at Worsborough, bringing in semi- professional actors to bolster the amateur cast.

Three years ago, Barnsley Council asked John if he would attempt something grander in this vein with his own acting set-up, the Barnsley Secret Theatre Company. They promised a proper budget. He said no. "They sat me down and I said no again. In fact I said it three times. They didn't understand the vastness of it.

"Then we got to go and take a look at Monk Bretton Priory. It's funny, I used to live in Grimethorpe and passed it on the way to work and never really noticed it. But after that look around I was absolutely stunned. That did me. It had production values written all over it. That's the genesis."

As to his own beginnings, they are pretty unusual for the founder of a theatre and an acting dynasty. John left his Catholic comprehensive in Featherstone at the age of 15 with no qualifications. He put that right when he signed up to be a miner at Monkton Colliery and worked so hard he was crowned Yorkshire apprentice of the year for 1966. That gave him a leg-up to train as an electrician, but a long-term life underground was not to be.

Despatched on his motorbike to deliver a parcel for a fellow miner in a mental hospital, his eyes were opened to the fact that men could do this work. Within a day he had switched jobs and made a lifetime career out of psychiatric nursing instead.

The Lamproom came about after he headed a trust aiming to bring back theatre to Barnsley's Edwardian Theatre Royal. The way was blocked and John spotted in the pages of the local paper another building for sale. It's on a prominent position overlooking Barnsley and began life in 1792 as a chapel or meeting house. By the 1990s it required a giant step of the imagination to see any potential there.

A hammer and chisel were required to get inside and snow lay in a 30-foot drift against a wall. Windows were smashed and the only recent visitors had been flocks of pigeons and druggies whose detritus was scattered around. All the wiring had been stripped.

The make-do-and mend approach to turn things round blended cheek with adaptability.

Today, the auditorium's stepped flooring was once boarding belonging to a supermarket. "It was around the new Sainsbury's in Wakefield. I asked if I could have it when they were finished with it." The stage is constructed from pallets for which the Redfearn National Glass Company had no further use. A joiner put in the bar for nothing.

Trust volunteers brought their own special skills and the trust purchased the theatre from John for the same price he paid. He is now a trustee and has just been made president. As a figurehead, he will have more time to expand his writing horizons.

This autumn the Lamproom is putting on a trilogy of plays he wrote some time ago set in the Sixties. He won't be there to see them. In September he is off to Los Angeles for six months to find out more about how they write for television.

"I've got some writing pals over there who work for some of the big network comedy shows. The writers are in teams and it's amazing seeing at first hand how the shows come together. I'll be doing some writing on my own there. But I'm 58, maybe a bit too old to make it in television."

For the amateurs who come to have a go in the Mystery Plays, it's often a never-to-be-forgotten experience.

"A chap of six foot three and 18 stone came towards me in Barnsley market," says John. "He was all tattoos and bulging muscles. I went to step aside but he said, 'Remember me? I were a wave in 1983. I'd never done anything like that in me life. I never did again. Me mam's still got the photos on the mantlepiece'."

John's job, once a production is underway, is to think on his feet. "One night I counted 10 disciples. I asked the others about the missing two and they said, 'they've gone to a Queen concert'. I thought the audience were going to notice this when we got to the Last Supper and in the interval found two people in the audience to make up the dozen."

Another year, when John had a main part, his car broke down on the motorway as he drove to a performance.

He jumped out and ran across fields to the nearest house, calling out to a man in the garden: "Good evening, I'm Noah!" The man he was hailing turned out to be Arthur Scargill, who obliged by giving Noah a lift so he was just in time to catch the Ark.

  • English Mystery Plays, June 29 to July 11, Monk Bretton Priory, tickets 01226 321741
  • Friday, April 17, 2009

    Father of Monasticism

    St. Anthony

    Founder of Christian monasticism.

    The chief source of information on St. Anthony is a Greek Life attributed to St. Athanasius, to be found in any edition of his works. A note of the controversy concerning this Life is given at the end of this article; here it will suffice to say that now it is received with practical unanimity by scholars as a substantially historical record, and as a probably authentic work of St. Athanasius.

    Valuable subsidiary information is supplied by secondary sources: the "Apophthegmata", chiefly those collected under Anthony's name (at the head ofCotelier's alphabetical collection, P.G. LXV, 7]); Cassian, especially Coll. II;Palladius, "Historica Lausiaca", 3, 4, 21, 22 (ed. Butler). All this matter may probably be accepted as substantially authentic, whereas what is related concerning St. Anthony in St. Jerome's "Life of St. Paul the Hermit" cannot be used for historical purposes.

    Anthony was born at Coma, near Heracleopolis Magna in Fayum, about the middle of the third century. He was the son of well-to-do parents, and on their death, in his twentieth year, he inherited their possessions. He had a desire to imitate the life of the Apostles and the early Christians, and one day, on hearing in the church theGospel words, "If thou wilt be perfect, go and sell all thou hast", he received them as spoken to himself, disposed of all his property and goods, and devoted himself exclusively to religious exercises.

    Long before this it had been usual for Christians to practice asceticism, abstain from marriage and exercising themselves in self-denial, fasting, prayer, and works ofpiety; but this they had done in the midst of their families, and without leaving house or home. Later on, in Egypt, such ascetics lived in huts, in the outskirts of the towns and villages, and this was the common practice about 270, when Anthony withdrew from the world. He began his career by practising the ascetical life in this fashion without leaving his native place. He used to visit the various ascetics, study their lives, and try to learn from each of them the virtue in which he seemed to excel. Then he took up his abode in one of the tombs, near his native village, and there it was that the Life records those strange conflicts with demonsin the shape of wild beasts, who inflicted blows upon him, and sometimes left him nearly dead.

    After fifteen years of this life, at the age of thirty-five, Anthony determined to withdraw from the habitations of men and retire in absolute solitude. He crossed the Nile, and on a mountain near the east bank, then called Pispir, now Der el Memum, he found an old fort into which he shut himself, and lived there for twenty years without seeing the face of man, food being thrown to him over the wall. He was at times visited by pilgrims, whom he refused to see; but gradually a number of would-be disciples established themselves in caves and in huts around the mountain, Thus a colony of ascetics was formed, who begged Anthony to come forth and be their guide in the spiritual life. At length, about the year 305, he yielded to their importunities an emerged from his retreat, and, to the surprise of all, he appeared to be as when he had gone in, not emaciated, but vigorous in body and mind.

    For five or six years he devoted himself to the instruction and organization of the great body of monks that had grown up around him; but then he once again withdrew into the inner desert that lay between the Nile and the Red Sea, near the shore of which he fixed his abode on a mountain where still stands the monasterythat bears his name, Der Mar Antonios. Here he spent the last forty-five years of his life, in a seclusion, not so strict as Pispir, for he freely saw those who came to visit him, and he used to cross the desert to Pispir with considerable frequency. The Life says that on two occasions he went to Alexandria, once after he came forth from the fort at Pispir, to strengthen the Christian martyrs in the persecutionof 311, and once at the close of his life (c. 350), to preach against the Arians. TheLife says he died at the age of a hundred and five, and St. Jerome places his death in 356-357. All the chronology is based on the hypothesis that this date and the figures in the Life are correct. At his own request his grave was kept secret by the two disciples who buried him, lest his body should become an object of reverence.

    Of his writings, the most authentic formulation of his teaching is without doubt that which is contained in the various sayings and discourses put into his mouth in theLife, especially the long ascetic sermons (16-43) spoken on his coming forth from the fort at Pispir. It is an instruction on the duties of the spiritual life, in which the warfare with demons occupies the chief place. Though probably not an actual discourse spoken on any single occasion, it can hardly be a mere invention of the biographer, and doubtless reproduces St. Anthony's actual doctrine, brought together and co-ordinated. It is likely that many of the sayings attributed to him in the "Apophthegmata" really go back to him, and the same may be said of the stories told of him in Cassian and Palladius. There is a homogeneity about these records, and a certain dignity and spiritual elevation that seem to mark them with the stamp of truth, and to justify the belief that the picture they give us of St Anthony's personality, character, and teaching is essentially authentic.

    A different verdict has to be passed on the writings that go under his name, to be found in P.G., XL. The Sermons and twenty Epistles from the Arabic are by common consent pronounced wholly spurious. St. Jerome (Illustrious Men 88) knew seven epistles translated from the Coptic into Greek; the Greek appears to be lost, but aLatin version exists (ibid.), and Coptic fragments exist of three of these letters, agreeing closely with the Latin; they may be authentic, but it would be premature to decide. Better is the position of a Greek letter to Theodore, preserved in the "Epistola Ammonis ad Theophilum", sect. 20, and said to be a translation of a Copticoriginal; there seems to be no sufficient ground for doubting that it really was written by Anthony (see Butler, Lausiac History of Palladius, Part I, 223). The authorities are agreed that St. Anthony knew no Greek and spoke only Coptic. There exists a monastic Rule that bears St. Anthony's name, preserved in Latin and Arabic forms (P.G., XL, 1065). While it cannot be received as having been actually composed by Anthony, it probably in large measure goes back to him, being for the most part made up out of the utterances attributed to him in the Life and the "Apophthegmata"; it contains, however, an element derived from the spuria and also from the "Pachomian Rules". It was compiled at an early date, and had a great vogue in Egypt and the East. At this day it is the rule followed by the Uniat Monksof Syria and Armenia, of whom the Maronites, with sixty monasteries and 1,100monks, are the most important; it is followed also by the scanty remnants of Copticmonachism.

    It will be proper to define St. Anthony's place, and to explain his influence in the history of Christian monachism. He probably was not the first Christian hermit; it is more reasonable to believe that, however little historical St. Jerome's "Vita Pauli" may be, some kernel of fact underlies the story (Butler, op. cit., Part I, 231, 232), but Paul's existence was wholly unknown unknown till long after Anthony has become the recognized leader of Christian hermits. Nor was St. Anthony a great legislator and organizer of monks, like his younger contemporary Pachomius; for, though Pachomius's first foundations were probably some ten or fifteen years later than Anthony's coming forth from his retreat at Pispir, it cannot be shown thatPachomius was directly influenced by Anthony, indeed his institute ran on quite different lines. And yet it is abundantly evident that from the middle of the fourth century throughout Egypt, as elsewhere, and among the Pachomian monksthemselves, St. Anthony was looked upon as the founder and father of Christian monachism.

    This great position was no doubt due to his commanding personality and highcharacter, qualities that stand out clearly in all the records of him that have come down. The best study of his character is Newman's in the "Church of the Fathers" (reprinted in "Historical Sketches"). The following is his estimate: "His doctrinesurely was pure and unimpeachable; and his temper is high and heavenly, without cowardice, without gloom, without formality, without self-complacency.Superstition is abject and crouching, it is full of thoughts of guilt; it distrusts God, and dreads the powers of evil. Anthony at least had nothing of this, being full of confidence, divine peace, cheerfulness, and valorousness, be he (as some men may judge) ever so much an enthusiast" (op. cit., Anthony in Conflict). Full of enthusiasm he was, but it did not make him fanatical or morose; his urbanity and gentleness, his moderation and sense stand out in many of the stories related of him. Abbot Moses in Cassian (Coll. II) says he had heard Anthony maintaining that of all virtues discretion was the most essential for attaining perfection; and the little known story of Eulogius and the Cripple, preserved in the Lausiac History (xxi), illustrates the kind of advice and direction he gave to those who sought his guidance.

    The monasticism established under St. Anthony's direct influence became the norm in Northern Egypt, from Lycopolis (Asyut) to the Mediterranean. In contradistinction to the fully coenobitical system, established by Pachomius in the South, it continued to be of a semi-eremetical character, the monks living commonly in separate cells or huts, and coming together only occasionally for church services; they were left very much to their own devices, and the life they lived was not a community life according to rule, as now understood (see Butler, op. cit., Part I, 233-238). This was the form of monastic life in the deserts of Nitria and Scete, as portrayed by Palladius and Cassian. Such groups of semi-independent hermitages were later on called Lauras, and have always existed in the East alongside of theBasilian monasteries; in the West St. Anthony's monachism is in some measure represented by the Carthusians. Such was St. Anthony's life and character, and such his role in Christian history. He is justly recognized as the father not only ofmonasticism, strictly so called, but of the technical religious life in every shape and form. Few names have exercised on the human race an influence more deep and lasting, more widespread, or on the whole more beneficent.

    It remains to say a word on the controversy carried on during the present generation concerning St. Anthony and the Life. In 1877 Weingarten denied theAthanasian authorship and the historical character of the Life, which he pronounced to be a mere romance; he held that up to 340 there were no Christian monks, and that therefore the dates of the "real" Anthony had to be shifted nearly a century. Some imitators in England went still further and questioned, even denied, that St. Anthony had ever existed. To anyone conversant with the literature of monasticEgypt, the notion that the fictitious hero of a novel could ever have come to occupy Anthony's position position in monastic history can appear nothing less than a fantastic paradox. As a matter of fact these theories are abandoned on all hands; the Life is received as certainly historical in substances, and as probably byAthanasius, and the traditional account of monastic origins is reinstated in its great outlines. The episode is now chiefly of interest as a curious example of a theory that was broached and became the fashion, and then was completely abandoned, all within a single generation. (on the controversy see Butler, op. cit. Part I, 215-

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